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Interdependence 2: AI and Music with François Pachet

A spectre already embedded into a trillion industrial products, a billion individuals, and a million veiled narratives. It is a movement, not based on individuals 2017-4-17 · Lawrence Lek, who works primarily as a visual artist, has also applied his concept of Sinofuturism to music. One of his recent works is The Nøtel, which sets Hyperdub label founder Kode9’s 2015 album Nothing in a 3D-rendered hotel in a future version of China. No humans seem to live in this virtual world; only drones and holograms. A screening, a talk, a reading and a set surrounding sinofuturism. Sinofuturism became popularized by simulation artist Lawrence Lek and his homonymous short film in which he proposes 7 key concepts associated with China and automation; computing, copying, gaming, studying, addiction, labor, … Sinofuturism is a video essay combining elements of science fiction, documentary melodrama, social realism, and Chinese cosmologies, in order to critique the … One of his best-known works in the film arena, Sinofuturism (1839–2046 AD) is a multi-genre video essay that critiques the problems within Chinese society by challenging the narratives of both the foreign and domestic perceptions of the nation. 2021-4-7 · Lawrence Lek, Sinofuturism (1839 - 2046 AD), 2016, still.

Lawrence Lek: The idea of identifying oneself with a non-human is something that I explored with the films AIDOL and Geomancer, the video essay Sinofuturism, and the open-world game 2065. Personification is widely used in poetry and literature by adding human characteristics to non-human phenomena and seeing the natural world as a mirror of the If you’ve ever seen an interview with simulation artist, filmmaker and musician Lawrence Lek before, it’s likely you were dumbfounded by his articulation of a highly synthesised digital art practice. Phthalocyanine gamer lullabies and neon-etched elegies for the death of dancing in reality, embracing a gently melancholic, retro-nostalgic vision for the future of nightclubs. RIYL Hatsune Miku, Lena Raine, Yamaneko “Temple OST is the soundtrack to an unreal nightclub: a space filled with ethereal dance anthems, haunting Vocaloid refrains, and soundscapes of the near future. Created for Lek

With Lawrence Lek - Line Noise Lyssna här - Podcasts.nu

A spectre already embedded into a 17 Mar 2018 Sinofuturism became popularized by simulation artist Lawrence Lek and his homonymous short film in which he proposes 7 key concepts Freeport” which is the first solo exhibition in Switzerland by Lawrence Lek. of the film screening “To Other Shores: On Techno-Sinofuturism and AI Artist Bots. Usijano more – Lawrence Lek, Sinofuturism (1839 – 2046 AD), screenshot. Impressum · O nama · Postanite partner Udruge Arteist · Podržavam Arteist!

Interdependence 2: AI and Music with François Pachet

Hur skulle du Ben Cardew meets "simulation artist" Lawrence Lek to talk world building, AI, sinofuturism and his excellent new album for Hype.

Personification is widely used in poetry and literature by adding human characteristics to non-human phenomena and seeing the natural world as a mirror of the These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek’s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Bio Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices—CGI, audio-visual performance, gaming, and fiction—into a continuously expanding cinematic universe. Lawrence has also shown work at our monthly Ø night, and created and released the soundtracks to five of his previous projects, most recently Temple OST on The Vinyl Factory earlier in 2020. The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism … 2021-4-5 · TodayHeadline The futuristic visions of multimedia artist Lawrence Lek – These projects revolve around the ideas theorized in Sinofuturism (1839-2046 AD), Lek s 2016 video essay about the parallels between Chinese industrialization and portrayals of AI. Lawrence Lek is a London-based artist, filmmaker, and musician who unifies diverse practices CGI, audio-visual performance, gaming, and fiction into a continuously The futuristic visions of multimedia artist Lawrence Lek The film-maker on melding video games, music and political theory — and exploring our anxieties about a changing world Share on Twitter 2021-3-11 · 60 min. At the exhibition from March 21, 2018 to May 27, 2018. »Sinofuturism« is an invisible movement.
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The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism (1839-2046 AD). Lawrence Lek (LL) in conversation with curator Caroline Elgh Klingborg (CEK) CEK: Your work is often set in a world defined by the interplay of humanity and technology, focusing on the rapid development in south-east Asia. You have frequently addressed the concept of Sinofuturism. How would you define this term in relation to your work? […] His works include the video game ‘Unreal Estate: The Royal Academy is Yours’ (2015 Dazed Emerging Artist Award), the influential video essay ‘Sinofuturism (1839-2046 AD)’, the AI-coming-of-age story ‘Geomancer’ (2017 Jerwood/FVU Award), and ‘Nøtel’, a simulation of a fully-automated luxury hotel in collaboration with Kode9 (ICA, London; Art Basel). What is Lawrence Lek's relationship to Sinofuturism or the thriving world of sci-fi/科幻 thought and literature in China which the films completely elide?) I will admit that I did not see his earlier work Sinofuturism, but let's just say that when I looked up an interview with him afterwards, I found his conception of Sinofuturism flimsy, naive, essentialist, and close to cultural appropriation.

The film AIDOL continues Lek’s ongoing 'Sinofuturist' cinematic universe, which began in 2016 with Sinofuturism (1839-2046 AD). Lawrence Lek is a member of Vimeo, the home for high quality videos and the people who love them. From UCCA, Lawrence Lek, Sinofuturism (1839—2046 AD) (still) (2016), Full HD video, stereo sound. 7 Jan 2019 The movie Sinofuturism (1839–2046 AD) by Lawrence Lek is an essay; it is science fiction; it is radical realism. The Basic message: While 6 Jun 2020 Centre A and The Visual Arts Centre of Clarington are pleased to present UK- based artist Lawrence Lek s Sinofuturism (1839–2046 AD) (2016) 5 Jan 2017 In 'Sinofuturism,' film essayist Lawrence Lek posits that Chinese technological development is actually a form of Artificial Intelligence.
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Interdependence 2: AI and Music with François Pachet

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In this work, Lek melds genres of science fiction, documentary melodrama, social realism and Chinese cosmologies to view the future through the lens of China’s technological development.

With Lawrence Lek - Line Noise Lyssna här - Podcasts.nu

18 May 2019 In the films, Sinofuturism, Geomancer, 2065, and AIDOL—now on display at Sadie Coles HQ—a monolithic Chinese corporation of Lek's 28 Nov 2019 half art installation, we've shown Lawrence Lek's Sinofuturism video I'm playing a live A/V set, the Nøtel with Lawrence Lek and also DJing.

[…] His works include the video game ‘Unreal Estate: The Royal Academy is Yours’ (2015 Dazed Emerging Artist Award), the influential video essay ‘Sinofuturism (1839-2046 AD)’, the AI-coming-of-age story ‘Geomancer’ (2017 Jerwood/FVU Award), and ‘Nøtel’, a simulation of a fully-automated luxury hotel in collaboration with Kode9 (ICA, London; Art Basel). What is Lawrence Lek's relationship to Sinofuturism or the thriving world of sci-fi/科幻 thought and literature in China which the films completely elide?) I will admit that I did not see his earlier work Sinofuturism, but let's just say that when I looked up an interview with him afterwards, I found his conception of Sinofuturism flimsy, naive, essentialist, and close to cultural appropriation. On Nov. 5, multimedia artist Lawrence Lek gave a public talk hosted by the Princeton Art Museum to discuss the research interests and questions that guide his practice, focusing in particular on three films: “Sinofuturism (1839-2046 AD)“ (2016), “Geomancer” (2017), and “AIDOL” (2019). As a burgeoning superpower shaking off its reputation as the world’s factory, in Lek’s account, China is re-imagined as a posthuman intelligence: a distributed network of bodies and brains more creative, disciplined and collectivized than any descendant of the European enlightenment. Lawrence Lek, Sinofuturism (1839–2046 AD), 2016.